THE DEFINITIVE GUIDE TO CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They in many cases are yearning romantics, with this particular difference: Buster looks a plausible mate, along with the Tramp hardly seems to possess a libido, only idealized notions. If their comedies had been made in a more liberated time, it is possible to assume Keaton in bed with a woman, but disquieting to consider the Tramp as a sexual get